AMA Satoshi Club x Pastel, January 6th

We are pleased to announce our next AMA on January 6th 2021 at 03:00 PM UTC Time: Satoshi Club x Pastel

⚠️Click to see the hour
⚠️Total Reward pool: $500

⚠️Requirements:
👉 Join Satoshi Club Telegram group
👉 Join Pastel Telegram group

We will have the following structure:

Part 1: 100$ /6 users – We’ll select 6 questions from the community. A user can post maximum 3 questions. 6 Questions will be selected from our website – please submit your questions in the comments section of this post.

Part 2: 100$/10 users – Open chat for 100 seconds. You can post Max 3 questions. Pastel Team will select 10 questions and answer them.

Part 3: 300$ – A quiz about Pastel

For more details:
Pastel – @PastelNetwork
Satoshi Club – @satoshi_club
Russian – @satoshi_club_ru
Spanish – @satoshi_club_spanish

Posted in Uncategorized

78 thoughts on “AMA Satoshi Club x Pastel, January 6th

  1. Where does the $PSL project name come from?
    What does it mean for you and why did you choose that name for your project?

  2. What are your most important priorities coming with the new year 2021? Are the basic tools sufficient to achieve these goals?

  3. As we know, every successful project has a few stories behind the scenes, what’s the story behind Albetrage success? What was that vision when it first emerged as an idea?

  4. You claim Pastel Network is the best blockchain solution for digital arts. What are your unique features that support your claim?

  5. Is it possible for your technology to be applied to other creative industries, like music or video artists? If yes, do you consider extending the project for it to cover this industries?

  6. – How does Pastel ensure that there is no duplication or plagiarism of the NFTs offered on the platform? Is there any kind of copyright that prevents the sale of fake NFTs?

  7. – What kind of artists are welcome at Pastel? Can anyone create their NFT or do they have to be registered as an artist in their home country?

  8. – What added value will the Cake NFTs have? That is, will they serve only as collectibles or do you plan to enable some kind of functionality within the platform for NFT owners?

  9. Pastel is based on Z-Cash, but unlike Z-Cash, there is no coded mining reward. My question is, what is the cornerstone of Pastel architecture? So where does the Pastel Network compensation and promotion come from?

  10. How does Pastel Network check the suitability of the content submitted? If the Masternode rejects inappropriate content, will the NSFW Cake filter generate an initial block on this image or video? Is this blockage is permanent or until the suitability of the source is checked?

  11. So far not many have exploited the capabilities, potential and incredible use cases that Non-Fungible Tokens (NFT) can offer. In addition to the beauty and rarity that NFTs from Pastel Network can offer, what additional features will they have inside and outside the platform? Can any designer or creator to be part of the Pastel Network? Do you need a validation?

  12. Artists can keep their intellectual property secured, and buyers of these properties too are ensured that the artwork is original via a Pastel ID. And each user is required to create this Pastel ID to access the network. Can you highlight more on this ID and how it is created?

  13. Pastel Network wishes to go global with digital arts, How does Pastel network react to regulations that is imposed by some government authorities? Security and privacy is very important for users. How does Pastel network ensure that users properties are kept secured and private?

  14. Pastel Network is based on Z-Cash but the reward pattern of Z-Cash is different from Pastel network. Why is this so? And the voting system of your network can be easily manipulated by someone with a huge number of masternodes?

  15. This single protocol similar to Bitcoin, built on the central attributes of Z-Cash and Dash, allows a safe environment for the exchange of digital arts. So, artists can keep their intellectual property safely?

  16. How can digital art be valued in a manner similar to traditional art that is tangible when copies can be made or falsified so easily? What security software do they use and do I want to know if there is some punishment for those who falsify the arts?

  17. You only have to look at the physical art market to capture the market potential of digital art. What’s wrong with the current digital art market?

  18. The Pastel Network storage system has some limitation regarding the bytes? I ask why, how will we save a series of images?

  19. The digital arts market needs a reliable platform where artists and digital collectors can safely exchange their works, but just as artists need security from customers too, what duplicate image detection software does Pastel Network apply?

  20. Despite having joined Twitter in 2019, Pastel Network does not yet have many followers on this social network. Considering that in the art world the diffusion of works and artists is so important for success, my question is: what marketing strategies, besides the AMAs, has the Pastel Network team considered to reach a wider audience and to grow your community?

  21. How is the Pastel Network infrastructure developed to achieve a completely decentralized digital art platform?

  22. Online auctions are breaking record clear example is a digital artwork called “Picasso’s Bull” that sold for a record $ 55,555. Will Pastel Network make this type of sales too? Because I understand that they do not accept intermediaries

  23. The native PSL token is at the heart of the art trading and registration mechanism on the Pastel blockchain network. In doing so, does Pastel solve the legitimacy and ownership issues in their entirety?

  24. Artists can keep their intellectual property safe and buyers also ensure that the artwork is original through a Pastel ID. I understand that each user must create this Cake ID to access the network. this is obligatory ?

  25. Is it necessary that the artists who join the Pastel Network platform have some kind of academic training in order to be part of your team? What is the profile you are looking for in the artists who apply to be part of your project?

  26. Pastel is targeting individuals to sponsor and incentivize to create a reputation on the blockchain. The big question is how are you going to focus that research? There are many great artist over there who doesn’t know the crypto world. What are Pastel plans to get to everyone?

  27. Pastel will create a Pastel Growth Fund, it will receive 5% of every block reward produced. What will be the usage of these funds in the future? From where will come the funds to maintenance and improving of the platform itself?

  28. Are you planning to focus solely on creating a token for digital art commerce, or are you planning to expand into other areas in the future, perhaps within or outside the same artistic path?

  29. What can you tell us about the partnerships Pastel Network currently have? Why did you choose them? and which partners and invertors would you like to work with in the future?

  30. Could you please give us a list of the most important features of $PSL, that will put it first, against to all its other competitors, and make the users choose it over all the other options they could possibly have?

  31. Pastel translates “cake” in Spanish. Is Pastel Network another crypto project with food name? Why to name Pastel Network to -a novel platform powered by a secure blockchain-? What are your purposes and, in which areas (business, defi, farm, only art) will you focus ?

  32. Regarding to Proven Authenticity, it says that “Pastel is backed by our unique protocol, based on Blockchain technology, ensuring that your art assets are provably authentic forever” How does this unique protocol work? What are the garanties would you give to the users their art assest will be authentic forever? What would happen if there’s a mistake and the art isn¡t authentic?

  33. I was exploring your website and i couldn’t find your roadmap. Do you have one? Could you share it? I am curious to know your plans and strategies for this 2021.

  34. You promise a safe environment for the exchange of digital arts. Can you tell us a little bit about what specific measures you implement to make this a reality?

  35. How can buyers or collectors verify the originality of a work of art? Can Pastel detect when a user is uploading a work that is not his or her property?

  36. You talk about Pastel being a unique protocol similar to Bitcoin, built on the core attributes of Z-Cash and Dash… Can you explain to us a little better what this entails? What specific characteristics did you take from each of these blockchains? And why did you decide to do it this way?

  37. Does Pastel only work with digital arts? Is it not possible to monetize the promotion of some physical artwork to sell it and then send it? Would it be something like a marketplace? Do you have that in mind?

  38. That’s an ambicious plan of creating the museum of the 21st century and beyond. Will be these masterpieces available to everyone to watch? And what will be the criteria to valuate these NFTs for the sale?

  39. This platform gives a space to artist and collectors. But what about crypto investors? How can the ordinary people take advantage of this network you are creating trough $PSL? Also, will be an option to buy art in Fiat?

  40. Tell us about the operation of the network, or rather your IQUIDOS explorer. What is the difference between the “Explorer” and “Movement” tabs? Why do they have a different number of transactions? Why are there no transactions anywhere for 2020 and what kind of transfers at 6250 PSL? Is it a reward to the nodes or you is there an active air drop?

  41. If I understand the data from the explorer correctly, then as of this morning you have 12 active masternodes. Tell us how much PSL hold in the hold to launch a node? Perhaps you have several types of nodes? What needs to be done step by step to launch and what rewards do you have for those who support the network?

  42. The team behind Pastel Network consists of an entrepreneurial team of developers, marketers and fund managers . No artist… So where did the idea for this project come from? Or did they just see the potential of the market and jump right in?

  43. To upload their works, the artist must create a unique identifier on the platform. When uploading content, the artist signs it with his personal identifier. What happens next? The files undergo some kind of verification before being recorded on the blockchain? And is there a fee for posting content?

  44. what use will NFT Art really be in the future? will it just be a simple object of commerce? or could they become relics?

  45. Does Pastel Network have any tools that facilitate the design and creation of these tokens? do you have recognized design platforms? or is everything created by Pastel?

  46. Can the art of NFT tokens be developed and traded by any type of chain? Or does it have to be exclusively for the ETH chain?

  47. Many rare decentralized projects have already benefited their users with quite diverse rewards of NFT tokens, in order to sell them will they have to connect the token wallet with that of the pastel Network? Or if transfers are necessary, will only ETH gas be needed?

  48. Users who wish to create or market any type of art must meet some requirements set by Pastel such as kyc or a minimum amount of tokens? And when they are created, can they be sold at the same moment, or will they remain blocked for a while?

  49. One of the greatest benefits of blockchain, is that it is totally transparent and secure, allowing each of the transactions carried out to be clearly visible by anyone, with the interchange and NFT art transactions, will there be the same transparency? Or will it only be possible to observe the prize for which it was bought but not the art, in order to avoid plagiarism and duplication of art?

  50. Really NFT tokens are a VERY STRANGE art, considering this, the exchange platform of Pastel Network, will have any ranking in the commercialization of this art based on the rarity, creativity and the type of art that will be sold? or will it just be a single exchange at a fixed price?

  51. Lately many developers have created multiple decentralized exchangers, but why has it really cost so much to create NFT token exchangers for any other currency? really what is the biggest drawback these developers face? Will it be due to the lack of demand for NFT art? What is the biggest drawback to achieving it? is the little demand for this art NFT?

  52. Do all digital artist can join in Pastel Platform? Actually i am a digital artist and interested to post and sell my art. What are the requirement to join in your platform as digital artist? Does it need title?

  53. how different is pastel from other existing digital collection marketplace like wax, opensea or raribles ? Why does pastel need another separate blockchain for digital art ?

  54. Why is the basic masternode architecture and code base used in Pastel based on the Dash project? And
    How does PastelNetwork distribute Shards between masternodes on the network?

  55. Could Pastel Network ensure that artworks can be stored and reconfigured in a distributed way, even in the event of a major network outage? How do LT codes mediate this?

  56. How do AWS servers and other different cloud hosting solutions mediate the distribution of hosting content between nodes in the Pastel Network and provide an incentive structure for data on-chain?

  57. Can you tell us how does a virtual auction environment looks like for artworks in Pastel Network? How will you authenticate that the artwork being presented or sold is from the original owner and not fake? How will you authenticate a true and quality artwork through virtual auction environment? Thank you

  58. Now market for digital artwork is growing faster. As I know the biggest digital art project right now on internet is Pepecash. So as a competitor, what is the different and specialty Pastel have than Pepecash?

  59. According to your website, you believe censorship limits creativity. As a result, Pastel Networks welcome all types of art with no filtering on what is or isn’t considered Art. So with this statement of yours,can anyone send an art to your network even if he or she is not really a good artist or just a beginner? Being an artist is a talent, so how will you consider any types of art with no filtering? If Pastel Networks welcome all types of art,is there no standard quality of artwork does your platform basing in accepting artworks? If so,how will you judge fairly physically the artwork send by an artist?

  60. Can you tell us how can someone applied or availed for a Digital Artist Scholarship in Pastel Network? Is this scholarship opens to anyone or it is only opens to those who are talented artist? What are the inclusion or benefits of this scholarship? What condition may be applied upon availing Digital Artist Scholarship with your platform? Thank you

  61. maybe from some projects, which have an agricultural system, betting and buybacks are the PASTEL NETWORK platform, I would love to invest in your platform but I still have doubts, can you explain the advantages of the PASTEL NETWOR project, in the field of asset security and your tokenomic development and explain that is your project either for long term or short term investment? thanks.

  62. can you explain that the pastel network project is good for us as an INVESTOR for the long term or the short term, and how is the security system of the pastel network project guaranteed?

  63. how will you handle your system if unexpected problems occur in the future, especially a hacking issue affecting your platform having some of your users’ personal data. will your platform be ready for such a situation?

  64. Pastel aims to promote, grow and encourage a reputable community of illustrators, painters, digital artist, visual storytellers, etc mostly of the digital art world, who are ready to start selling their work on a digital platform; which is brilliant and highly commendable. But my worry is thus, there a lots of conventional & contemporary artists who certainly lack the knowledge and expertise in presenting and promoting their art digitally, how does Pastel intend to help and onboard these artists?

  65. As a digital artist, how does the Pastel network ensure that my verified artwork which has been bought on the Pastel network by an art collector cannot be altered in any way and resold elsewhere (exported) or within the network?

  66. So what are the benefit by combining Digital Artwork and Decentralized blockchain like Pastel do? Isnt it same like buy art from eBay, amazon, and other Ecommerce market?

  67. I just recently introduced to NFT’s because of its gaming features. For now, to buy NFT I have to exchange eth or any other coins to wax before buying tools. On Pastel, what will be the options to be able to buy NFT?

  68. Pastel Platform will offer “probably rare” NFTs on their marketplace. How will you actually select or filter the art creators and decide if their work is original or unique?

  69. I am using atomichub and waxstash to buy NFTs and its really fast transactions. Can you please tell me what will be the good points, benefits, and the difference using Pastel Platform than these 2 marketplace.

  70. How are NSFW filters implemented on the Pastel platform and how do you ensure the persistence of digital work in the blockchain with recurring protection algorithms?

  71. How did Pastel design a fault-tolerant data retention system for file storage and why do you use masternodes (MN) that act as archive checkpoints?

  72. How will you be an intermediary for those who want to work with your team in Pastel’s talent search and how will you evaluate candidates in terms of the quality of their work and access to their social accounts?

  73. Do you think that censorship only hinders the development of art and decided to abandon it? In accordance with this, you accept any categories and directions on your platform. What about erotic images? After all, erotica is also art if everything is presented beautifully. And the art of photography? Many photographers are geniuses of their craft and a beautiful high-quality photograph can be much more valuable than a painting! How do you look at these two categories?

  74. How are the rights and works of artists on your platform protected from fraud and copying of their works, and collectors from buying unverified digital art? How is personal data and assets protected on your platform?

  75. Each stage of creating, selling, owning and selling artwork comes with additional costs – from commissions to storage and transportation, costs that are felt by both the artist and the buyer. How are these costs allocated to everyone involved in each buying and selling process? What are the costs of the artist-sellers, buyers, and what are the costs yourself?

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